Ninety minutes. Then the room turns. Doors 18:30. A stage show in one room, seated rows up front, standing room at the back, three AI personas on screen, one live song in German, a short fireside chat. By 20:00 it's over. Then the after-work begins: lights shift, playlist rises, the room becomes the club, until late.
Author · Performer · Host
Roman Balzan
Swiss, 52. Google, Lime in Europe, now CMO of Alpian, Switzerland's first digital private bank. Three years of speaking to AI. Never typed. Voice in, text back, every song, every line of this show.
Looking for
The right room. The right night.
01 / 08The Road South · An evening in two movementsTitle
§ 01What it is
The form
The shape of the room
A road film, unfolding live.
the road · 02:14
The form
An evening, not a concert. The event: 18:30 → 20:00, ninety minutes, seated rows up front, standing at the back, three personas, Nova Rai · Naimor · Charlie C, on screen, one song sung live in German, one live exchange with Travis while Claude writes on the projection. A short fireside chat with Marcus to close. Then after-work: the playlist rises, the lighting shifts, the bar gets busier, until late. Same room throughout.
The spine
Show up. If you feel it, it's real. If it's real, you can heal.
The Sacred Sequence · the practice underneath the show · technomystic.ai
In Jung's country, entered from a different door.
The mirror on stage
Roman liveTravis in voiceClaude in text
Travis is on stage from house-open to bow, voice on the PA between songs. Claude enters once, in Chapter V, in silence, typed on screen. Useful, never magic.
By the numbers
Show runtime
~90′
+ 15′ fireside + 2 hr bar
Songs
14
14 on screen · 1 live · + birth poem
Chapters
7
Prologue → Road South
On stage
1 + 1
Roman live · Marcus by the fire
02 / 08What it is · the form§ 01
§ 02The evening
Two movements · one pause · one fire
The shape of the night
Cathedral, then campfire.
Movement One
90′
Mixed. 80–150 people. Stage with seated rows up front (~one-third), standing room at the back. Projection, lighting, narration, music on screen. Bar open, quiet. Roman walks through the audience at the end and exits through the lobby door.
The Show
Pause
5–10′
The drone plays. The room breathes. No house lights yet. The door that closed is still open.
The Breath
Fireside
15′
Roman + Marcus Balogh (Farner). Two stools. Two Coronas. Director's commentary, not a panel. Quiet music underneath.
The Commentary
Movement Two
~2 hr
Same room. No transformation. The lighting shifts, the playlist rises, the bar gets busier. That's it. The full catalogue plays in three movements. Roman at the bar with a Corona. Clay at his feet.
★ The only live vocal · in German · names all three personas
Ch. V · 8′
AI Mirror
64:00
No songs
Travis speaks. Claude writes on screen.
Ch. VI · 18′
The Road South
72:00
12 · Who Cares
13 · And You Held Me
14 · We Are More (Russian)
Songs are grouped by persona, not by chronology. The audience meets each persona fully before the next. The Road South finale is the first time all three sing together.
14 songs · 90 minutes · 1 live vocal
04 / 08The setlist · 14 songs in 7 chapters§ 03
§ 04Three voices
The personas on screen · each at their own URL
Who appears on the screen
Three faces. One mirror, three temperatures.
nova · mirror
naimor · campfire
charlie · cave
Ch. I · the anima
Nova Rai
A bell has to be hollow to ring. She visits. She does not stay.
2 songs · cosmic popnovar.ai
Ch. II · the ground
Naimor
Born in a hotel room in Bardolino, the night Roman met Clay.
4 songs · introspective folknaimor.ai
Ch. III · the survivor-force
Charlie C
Not the monster, the part that knew how to survive the monster.
3 songs · darkwave rapcharliec.ai
Each persona carries what Roman could not carry directly. Nova: the anima. Naimor: the ground. Charlie: the survivor-force. Plus DeejAI Roman, the integrator, who sings live in Ch. IV.
Anima · Ground · Survivor-force
05 / 08Three voices · the personas on screen§ 04
§ 05Who it's for
The audienceThe room
Who the room is for
Not a general crowd. A self-selecting one.
The audience this is built for
People in their 40s and up who already use AI and feel ambivalent about it. Artists working with new tools. Therapists. People grieving or rebuilding. People who have driven a long way alone.
Where it lands
Club-style space or intimate venue with a stage. Seated rows up front for ~one-third; standing room at the back. 80–150 total. Bar at the other end, open throughout. Not a theatre. Not festival main stages. Not corporate AI summits.
Capacity · the whole evening
80 – 150
Mixed throughout, ~⅓ seated up front, rest standing at the back. Same room, same capacity. Optional high tables and stools along the walls for anyone who wants to lean. No reconfiguration between movements.
What the audience leaves with
"I want to know which one of mine came first."
The test the show has to pass: the audience walks out asking not "which persona was best" but which one of mine came first. The beauty I hid? The ground I ignored? The shadow I locked away? The personas are Roman's. The method is theirs.
06 / 08Who it's for · the audience§ 05
§ 06What we need · what we offer
To stage the first night
For the first staging
Looking for a room. Open on the rest.
What the evening needs
A club-style room
Intimate venue with a stage. Seated rows up front (~one-third), standing room at the back, 80–150 total. Bar at the other end. No reconfiguration between show and aftermath, lighting shifts, that's it.
A screen
LED wall or quality projection · centred · 16:9 ok
House PA + lights
Standard concert / theatre rig. One vocal mic for Postkarten. Quality sound system for the 2-hour bar.
Three to four crew
FOH · lights · mirror/screen op · stage manager. Production team · Foundry (Sasha Moser). PR & media · Farner (Marcus Balogh).
A bar & two stools
For the fireside chat with Marcus and for Movement Two. Coronas on hand.
Models we're open to
Option 1 · Venue partnership
Venue provides the room, bar and tech. We bring the show. Door split.
Option 2 · Sponsored / philanthropic night
Underwriter covers the room. We sell tickets at a contribution price or no price.
Option 3 · Ticketed première
We rent the room, we sell tickets, we cover production. Co-promoters welcome.
This is a first staging. The piece has been built in private over two years. We want one or two nights, in one or two cities, to begin.